I’ve had countless design discussions with employers, contractors, and clients, but one in particular remains firmly lodged in my mind to this day.

Some time in 2002 I had just come off designing what, at the time, I felt was my best work to date. It was beautiful, inventive, it had personality, and it fit the brand perfectly. No one would find fault with it, I had nailed the brief. Score one for team Dave.

BEING ABLE TO ADMIT WHEN YOU ARE WRONG

I sent along the comps to my boss. He loved ‘em. Thought they were perfect. I had pulled it off yet again. Except… “the contrast is a bit low, isn’t it? I know you designers like your work bleeding into the screen, but remember that old codgers like me still need to read it.”

The nerve. What an affront to my professional sensibilities. I couldn’t believe he’d dare to find something wrong.

But he was totally right. I immediately knew I’d be spending some time bumping up the contrast, and that my work would be better for it.

These days when presenting my work for client feedback, I often have that conversation play in my mind. Be receptive to their criticism, I remind myself. Look at it from their point of view and don’t let my preferences stand in the way of a better design.

Just as important as being able to stand up for your choices when you’re right is an ability to admit when you’re wrong. Maturing as a designer means learning how to tell the difference.